How Does Hosseini Tell the Story in Chapter 17? Essay

Chapter 17 is potentially the most important chapter in the fable for structuring the shape of the narrative and may be suck inn as the turning omen in the refreshful. During this chapter, emeer is handed a letter by Hassan piece about his son Sohrab and how bread and butter in capital of Afghanistan has changed dramatically since he and Baba fled to America. Rahim Khan explains how Hassan and Farzana were killed by the Taliban and as his dying wish, ameer must go and rescue Sohrab. It is revealed that Baba is Hassans father, making him and emeer half brothers.Hosseini uses 3 diverse narrative voices in chapter 17 opposed to other chapters with just amir narrating. This gives us a much more personal perspective into Hassans life, adds realism to the narrative and how corrupt Kabul has without delay become. suddenly a young Talib ran over and hit her on the thighs with his wooden stick, separate hugely with Amir and Hassans childhood. Amirs usual retroactive start person narrative is infix however Hosseini also uses the present tense to make Hassans death more emotive as we can imagine it more vividly as a reader.Hassan slumps to the asphalt, his life of unrequited loyalty drifting from him like the windblown kites he use to chase. Not only is this quote used so we can see Hassan dying but it links the whole novel together by using the recurring motif of kites, linking back to chapter 7 when he trail the blue kite, and his unrequited loyalty is evident throughout the majority of the novel, Hassan neer denied me anything.Although Hassans death is foreshadowed however in chapter 16, God help the Hazaras now, Hosseini creates suspense and dramatic tension towards Hassans death by heavy(a) Amir the letter first before revealing his death, giving Amir hope and making the reader assume his journey to repurchase would concisely be over. I dream that someday you will return to Kabul and re-visit the land of our childhood. If you do, you will find an old faithful friend hold for you. This quote again creates a more dramatic and emotive receipt to Hassans death both from the reader and Amir after Hassans optimistic and promising letter. Hassans death is instrumental in formation the narrative of the novel and is arguably the turning point as it forces Amir to seek his redemption and debt to Hassan to Sohrab. The reason Amir came to visit Pakistan in the first place was to apologise to Hassan and being the only person alive and able, at present everyone in that photo was either dead or dying.Except for me, Amir was the only one left to save Sohrab from the Taliban and Assef. Another key causa in the chapter is the unveiling of Hassans true father, Baba. Amir reacts badly to the intelligence service and Hosseini portrays this using Westernised language to contrast with Rahim Khans traditional language. His vexation is emphasised through the repetition of you goddamn bastards. This contrasts with the earlier chapters in the novel where Amir always speaks to Rahim Khan politely and with respect and could represent the limit America has had on him.Finding out that Hassan and he were half-brothers also makes his conclusiveness to save Sohrab even more crucial and makes the reader more sickish to see whether or not he will betray Hassan again or redeem himself. His decision to save Sohrab is foreshadowed in chapter 14 when universal Tahiri says dividing line is a powerful thing, bachem, never forget that suggesting that the bond of occupation and brotherhood is so strong, Amir must save Sohrab, his own blood relative in order to fully complete his journey to redemption and atone for his sins.