Tuesday, February 19, 2019

A Critical Analysis of The Great Gatsby

The beginning of the 20th century was marked with corporeal changes including the industrial revolution, WWI and the gradual diversification of righteous views as opposed to the accordance imposed by the clericalism that had dominated the American society from its conception.The dynamically ever-changing morality first and foremost touched the new bourgeoisie, or the kin of people who made their fortunes rapidly and became wealthy at relatively unripe age.com/cumulative-exam/The enormous Gatsby is a famous novel by American cause F. Scott Fitzgerald. The action takes place on Long Island and in New York city in the 1920s era. The characters of the drama are mostly wealthy, yet young people, going through the stage of the inner morality reformation.The literary put to work depicts the stable upper-middle class of the 1920s, who used to live in the West nut district of Long Island. Contemporary New York metropolis lured people with its innumerable opportunities to realize w izself and improve ones material well-being chip Carraway, a Yale graduate, is non an exception. He is flexible and intelligent enough and thereof moves to New York for the purpose of learning and working in bond trade.Furthermore, hes originally solvent enough to afford a monotonic in the fashionable West Egg district My family have been prominent, leisurely people in this middle-western city for three generations. The Carraways are something of a grade and we have a tradition that were descended from the Dukes of Buccleuch (Fitzgerald, 4).Upon the arrival to New York, incision shortly gets attracted to the fun-driven lifestyle, implying noisy parties, light flirt and false, theatrical love. The family of his cousin Daisy, who lives not far from Nick, is equally wealthy and racy her husband Tom calibrated from a prestigious university and runs a successful business. Daisy is a well-favored, but excessively materialistic woman, who once had a romantic affair with Gatsby , but soon rejected him because of his allegedly questionable ability to provide for the future family.Instead, she genuine Toms proposal and selected confidence in the tomorrows day as opposed to the strong, barely controllable emotions she had for Gatsby (Milford, 69). The protagonist of the novel, Jay Gatsby, stands to true degree apart from the lawful third-generation businessmen he is on couthy terms with. Gatsby is a descendant of a poor family, but, owing to his pauperism for learning, he manages to enter St. Olafs College, which he, however, soon leaves because of the despair, associated with his janitors job (Turnbull, 122).Driven by his love for Daisy, he fanatically seeks ways of becoming rich and still dares break the law and engages with criminal business. However, the protagonist remains sincere in his attitude towards people and seems extremely kind, generous and broad-minded person It was one of those rare smiles with a quality of eternal reassurance in it that you come crossways four or five times in life his face believed in you as you would like to believe in yourself (Fitzgerald, 52-53).As one can assume, wealth, as implied in the American Dream, crabbedly popular among the middle-class population, is one of the study themes of the literary work The Great Gatsby is a highly symbolic venture on 1920s America as a whole, in particular the disintegration of the American dream in the era of unprecedented successfulness and material excess (Bruccoli, 73).Wealth, or, more precisely, its lack, becomes the major reason for the destruction of the beautiful fairy tale romance between Gatsby and Daisy. Financial prosperity is likewise the main factor motivating Toms extramarital lover, Myrtle, for comprehend the man on the regular basis. Finally, gold becomes a catalyst of Gatsbys tragic outcome of being slaughtered after taking Daisys condemn for the accident with Myrtle (Bruccoli, 79 Lehan, 211).When approaching the theme of wealth from an alternative perspective, it is possible to notice The Great Gatsby contains a comprehensive overview of the sociology of upper-middle class and impertinently minted rich businessmen. In particular, the western part of the district is inhabited by fresh rich, whereas the denizens of East Egg represent nobility and aristocracy Fitzgerald portrays the newly rich as being vulgar, gaudy, ostentatious, and lacking in social graces and taste.Gatsby, for example, lives in a monstrously ornate mansion, wears a pink suit, drives a Rolls-Royce, and does not pick up on subtle social signals, such as the insincerity of the Sloans invitation to lunch (Lehan, 215).At the same time, aristocratic circles are depicted as mannequins, whose public behavior rarely reflects their true beliefs and attitudes. For instance, Tom is unfaithful in his relationship with wife and starts an affair with a woman, whose background is far from aristocratic and who lives in a poor neighborhood.Wealth is also cl ose-knit with the theme of moral freedom, which causes the moral degradation of the top society (Lehan, 233). The Buchanans are literally stonyhearted instead of attending Gatsbys funeral and demonstrating their respect for everything the dead made for safeguarding Daisys reputation, they simply change the place of residence and distance themselves from the tragedy both physically and psychologically.Even Gatsby, the most authentic and open-minded person in the novel, seems adversely affected by his wealth and sinks in the marsh of criminal affairs increasingly deeper so that even his surroundings learn about his wrong alcohol business and murders he committed.Therefore, by describing the wealthy New York City communities of the 1920s, Fitzgerald prominently illustrates the negative impact of excessive prosperity on benignant value system and intrinsic ethical principles. The author also proves that money provides great freedom, but really few people are psychologically prepared to accept and successfully manage it.Works citedBruccoli, A. New Essays on The Great Gatsby. New York Cambridge University Press, 1985.Fitzgerald, F. S. The Great Gatsby. Wordsworth Editions, 1993.Lehan, R. F. Scott Fitzgeralds Craft of Fiction. Carbondale Southern Illinois University Press, 1966.Milford, N. Zelda. New York harpist and Row, 1970.Turnbull, A. Scott Fitzgerald. New York Charles Scribners Sons, 1962

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